త్రివిక్రమ్ వలనే ఇది సాధ్యం

తెలుగు ఇంగ్లీష్‌లో వున్నా, worth reading ..

“వాడికి జీవితంలొ ఇంక ఆమ్మ లేని లోటు తీరిపోయిందిరా!”

An unusual yet very moving dialog. okka sentence lo family unite ayyaru ani Elegent gaa cheppadam great.

“Ammayya, Vachina pani aipoindiraa” ano “Manavaadu Sadhinchesaadu” ano, edo okati kakundaa, chala heavy dialog with heart filling meaning vadatam naku chala nachindi. very few directors can do it.

Also climax lo antha serious fight lo kuda,
Kota Urdu paper tiragesi chustu vunte to cover up his face from the hero.
pakka na rowdy : “anna niku Urdu vacha”..
appudu kota:” Vadu kottee kottuduki Urdu emiti, chivariki Chinese, chitralekhanam kuda vachuddi”..

asalu alanti humor a situation lo kuda create cheyyatam nijamga great..

movie lo comedy is neat..no vulgarly..can be enjoyed by all family audience..

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Screenplay. Shot taking, Shot making, Story Execution, sensuality, clean family oriented, sensibility, dailogues edaina sare he is number 1 for me.

Breakinbg up the flash back into 3 parts and telling the flash back at appropriate situations is novell and awesome…

Asalu Rao ramesh tana heartattack gurinchi explain chesthunnappudu…mana intlo evarithono matladutunnam anipisthundi…

Pawan Driver ga join avataaniki velletappudu vache pata…aa execution..its a classic….

Naaku vaalla meeda kopam ledu…endukante kiopam vunte vaallani gurthupettukovali…ee okka dailogue chalu ..simple dailogues ni entha meaning to rasthado…

naakosam dabbulu anni vadilesi vachesaavu, naa pranalu kapadina vaadiki ade dabbu isthe saripotunda? alochimpachese adbuthamaina dailogues…

interval lo dailogues, climax lodailogues….inko director ayi vunte easy ga telipoyevi aa scenes..

For me he there are directors but Trivikram is an intelligent director…

Only Trivikram can execute…. I dont think any one cn match his caliber and intelligence.

Rajamouli once aptly said “we request Trivikram not to make commercial MASS movies because if he starts making those movies, we need to pack our bags..so please stick to class movies only”

Pawan knows the talent and Pawan associates with Trivik very deeply. Both very good buddys.

I am proud that Trivikram is our telugu director….


After a long tine, first time naa kallalo neelu tirigai climax lo..

Trivikram neeku sathakoti padhabhivandanaalu

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CHAMTHKARAM:

Ali plate lo gare muttukuni – identi nune lo snanam chesi vollu tuduchukodam marchipoyina heroine la vundi”

KARAM:

Mee meeda naaku kopam ledu ra….endukante daanikosan mimmalni gurthupettukovaali..adi naaku ishtam ledu”

MAMAKARAM:

Tegipoyetappude daaram viluva telusthundi….vidipoyetappude bhandam viluva telusthundi….

Moodu karalni pandichagala oke oka directory+writer..

Meeku padabhi vandanalu Trivikram sir…

Ilanti chamthkaralu enno…

Ramudu samudram lo digaka bridge kattadu gaani….adavi lone bridge ela kattali plan chesukuni samudram daggariki vellaledu…

Attani intiki teesukuraavadam ela ane pusthakam emaina rasana nenu?

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Some of my favorites:

“Aadu kotte debbalki Urdu ne kaadu, Chinese…Chitralekhanam kooda vachestaayi”

“Intaku mundu tho poliste…ippudu kopam taggindanipinchatledu???” that followed by ALi’s reaction…

And my all time favorite – “Naa cheyyakkadundi…Nee chempekkadundi raa?”

kallajodu visiresi..dailogue:

daanni muttukunte kottinatte…pettukunte chachinatte

Ela vsthayi sir ee dailogues????

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My All time favourate:

“eppudu neggam annadi kaadu raa…eppudu taggam annadi telisnode goppodu”

Trivikram ki pasa ayipoyindi ani chala mandi antunnaru kaani I feel he is going to a whole new level…

Chinna example to add to what you have posted below.

Last scene lo Boman Irani chair ni focus chestu shot vastundi…you can see the word KARMA written on it …a nice ending touch to indicate what goes around comes around…his daughter is back…he has repented…she has realized

Kallajodu fight chala stylish vundi…Athadu Polam fight ni 10x multiply chesinattu vundi… Villain ni two punches lo kottesi vadi juttu pattukoni ” saviour” pose istadu Pawan adi aite arachakam….

Starting fight kuda chala stylish ga teesadu Trivikram….

ప్రకటనలు

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